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              Organizational structures  shape company’s value creation

              Organizational structures  shape company’s value creation

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              What is Asset Specificity?

              Do you know who Owns Corporations?

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              Arrival of my new book on Faith Economy co-authored by Dr. Shilpa Shinde

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                      The Story Behind the song “Khoya Khoya Chand” from Film Kala Bazar

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                      Lasting friendship between R.K.Narayan and Graham Green that shaped the famous film novel ‘The Guide’

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                      Listen to the most treasured Qawwalis of Bollywood

                      Dr Vidya Hattangadi by Dr Vidya Hattangadi
                      September 26, 2022
                      in Current Affairs, News
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                      Qawwali is a form of Sufi devotional music in the Punjab and Sindh regions of Pakistan. It is part of a musical tradition that draws back to more than 700 years. The musical genre qawwali gained prominence in Bollywood initially through 1950s, especially in Muslim social dramas and grew so much in popularity that its influences became main-stream. Sufi saint Aamir Khusro Dehlavi is credited for introducing the tradition of singing quawwalis. It is a religious experience for both listener and performer: as the listener hopes for a spiritual experience of intensity and nearness to go beyond his or her conscious striving. However, in this post I have presented witty, catchy, and romantic qawwalis. The qawwali performer presents treasures of poetries which express and evoke a magical knowledge for the audience. The quawwalis are mix of folk, Hindustani classical and Sufi style of music.

                      Why people go to theatre to watch qawwalis? Sometimes viewers just go to watch the qawwali numbers and come out of the theatre. With just few instruments, few singers or a single singer qawwali creates a complex stream of synchronised hand-clapping; a qawwali group can produce some of the most ecstatic sounds, which memorizes the crowd. The rhythm is full of exuberance of vocals, steadily repeated, mantra-like chanting pattern. There is spontaneity in the qawwali.  One needs to have an ear to listen and understand this genre of music.

                      Qawwalis give meaningful rendition to the performance which is full of emotions. Its melody also has a great influence on the emotional state of listeners. The qawwali performance usually begins after the evening and lasts all night until the wee hours of morning. The word qawwali means “words” worthy of remembrance, and as such the qawwali traditionally has a devotional aspect in praise of Almighty. We usually see the dholak, table, sarangi, sitar, shehnai and jaltarang accompanying the qawwalis. Although a qaawwali was traditionally sung by men only, as the society progressed, both men and women started enjoying and performing quawwali.

                      Unlike in Hindustani classical music, while taal and raagaa usage is the same, the quawwali places a greater emphasis on the poetic text and the delivery of its message than on musical aspect. Bollywood has changed the style, presentation and libretto of qawwalis; it has been manifested in many varieties. For instance in the late 50s, 60s, 70s the qawwali became synonymous with a musical debate, almost a verbal battle.

                      Here’s our list of Bollywood’s evergreen and greatest qawwalis:

                      Humen to loot liya milke hoosnwalone

                      Al Hilal 1958; Singer: Ismail Azad, Music Director: Bulo C. Rani

                      Na toh carvan ki talash hai

                      Barsat ki ek raat 1960, Singers: Asha Bhosale, Manna Dey, Sudha Malhotra, Shiv Dayal. Music Director: Roshan

                      Sharma Ke Yeh kyo pardanashi

                      Chaudhvin Ka Chand 1960:  singers: Shamshad Begum & Asha Bhosale, Music Director: Ravi

                      Teri mehfil mein quismat ajmane

                      Mughal-e-Azam 1960: Singers: Shmsahd Begum & Lata Mangeshkar, Music Director: Naushad

                      Nigahen Milane Ko Jee Chahta Hai

                      Dil Hi To Hai (1963):  Asha Bhosale, Music Director: Roshan

                      Laga Chunari Me Daag

                      Dil hi toh hai 1963 , Singer: Manna Dey, Music Director: Roshan

                      Jaan-e-man ek nazar dekh le

                      Mere Mehboob 1963, Singers:  Lata Mangeshkar& Asha Bhosle, Music Director: Naushad

                      1. Ae Meri Zoharajabeen, Tuzhe Maloom Nahin

                      2. Film Waqt 1965, Singer: Manna Dey, Music Director: Ravi

                       

                      Tags: Dr. Vidya HattangadiExuberance of vocals.Folk styleHindustani ClassicallyricsQawwaliSufiSufi saint Aamir Khusro Dehlavi
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                      Dr Vidya Hattangadi

                      Dr Vidya Hattangadi

                      Dr. Vidya Hattangadi is an accomplished academician, researcher, and thought leader with over four decades of combined experience 20 years in managerial roles in industry and 24 years in management education. She holds a PhD in Marketing Management from Savitribai Phule Pune University and a D.Litt. from the University of Mumbai for her post-doctoral published work. She is a prolific writer and blogger, Dr. Hattangadi runs the widely read blog www.drvidyahattangadi.com, which enjoys strong organic traffic and engages readers across a broad spectrum of subjects, including management, leadership, psychology, social trends, music, current affairs, and politics and psychology. Her blog is 12 years old. Her experience of combining knowledge of industry work with an academic background creates a powerful, "pracademic" profile that bridges the gap between theoretical knowledge and practical application. This hybrid approach has made her a powerful Professor in the classrooms and she has produced graduates who are not just knowledgeable, but industry-ready. She worked for Maratha Mandir’s Babasaheb Gawde Institute of Management Studies as Director, Research Head and Professor. She has written a fortnightly column for The Financial Express from 2017 to 2021 and has contributed extensively to leading publications such as The Hindu, Free Press Journal, and The Economic Times. Her articles are known for their analytical depth, clarity, and relevance to contemporary issues. Dr. Hattangadi has successfully guided 35 PhD scholars in Management Studies across institutions such as the University of Mumbai, SNDT Women’s University, and Yashwantrao Chavan Maharashtra Open University (YCMOU) and Guglielmo Unimarconi Italian University. Currently, she is working on her YouTube channel "Vidya's Vidya" mentoring doctoral researchers in the areas of Finance, Strategic Management, Organizational Behaviour, Human Resource Management, and Marketing Management. She is an accomplished author, she has written books on Strategic Management, Buyer Behaviour, International Business and Entrepreneurship Management, Faith Economy, contributed chapters to four edited volumes of books, and published over 350 research papers in national and international journals. Her scholarly work has strong visibility and impact, reflected in her robust presence on Google Scholar, Research Gate, Vidwan etc. Her research in all fields of management studies is truly ground-breaking. The rigor and depth of her knowledge have set a new standard in our field of management studies.

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