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              Organizational structures  shape company’s value creation

              Organizational structures  shape company’s value creation

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              What is Asset Specificity?

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                      The Story Behind the song “Khoya Khoya Chand” from Film Kala Bazar

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                      Lasting friendship between R.K.Narayan and Graham Green that shaped the famous film novel ‘The Guide’

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                      Listen to some of the Timeless Ghazals

                      Dr Vidya Hattangadi by Dr Vidya Hattangadi
                      September 26, 2022
                      in Current Affairs, News
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                      Ghazals are an evergreen genre of musical world, especially, Hindi films. They are a mesmeric blend of poetry with intense thoughts about life’s journey, composed with simple melody. The ghazal originated in Arabia in the 7th century. Later they spread all over Asia. A ghazal expresses melancholy, separation from lover, also the beauty of love. The style and content, ghazals dominate class of music lovers who understand poetry and enjoy the meaning of it. The language of ghazals is mostly Urdu and Hindi. In my opinion Urdu is a classy and sophisticated language. Hindi shares its origins with Urdu, due to the comparable grammar base that they share.

                      Rumi and Hafiz wrote some very tasteful and heart-warming rustic ghazals. They were confirmed Sufis themselves. Hence ghazals have a touch of Sufism. The ghazals were initially composed on purely religious theme. Usually, all the lines of a ghazal have the same metre (a basic rhythmic structure of a verse or lines in verse). The study and the actual use of metres and forms of versification are both known as prosody. Hindi film ghazals usually lean towards romantic themes. It is common to mention the poet’s name in ghazals, which is known as takhallus.  The name of the poet usually features in the last verse, which is a convention known as the maqta.

                      An important point to note about traditional ghazals is that in them the element of love is eternal and platonic; it most often does not have an obvious element of sexual desire in it. The love may be directed to either a man or a woman. Love is usually interpreted for a higher being or for a mortal beloved. Love is always viewed as something that will complete a human being, and if attained will lift him or her into the ranks of the wise, or will bring satisfaction to the soul. The essence of a ghazal usually lies in the lyrics, hence the poet matters.

                      The singer’s voice adds the class to a ghazal; Ghulam Ali, Mehdi Hassan, Nusrat Fateh Ali Khan, Farida Khoum our own Jagjit Singh, Tala Aziz Bhupinder Singh and of course Mohammed Rafi, Lata Mageshkar, Noor Jahan and are some great ghazal singers.

                      Jagjit Singh has sung some of the most beautiful ghazals. His style of singing was unique; he picked compositions which were simple. He sang for all classes of listeners. Otherwise, there was a notion that ghazals are music for intelligentsia (intellectuals). He swiftly established himself due to his style of simple and fluid yet deep voice. His voice had a mystic strength to weather emotional ups and downs in the compositions. His choice of instrument became his signature style: Santoor, Violin, Guitar etc.

                      I list here below some of my choice of ghazals, hope you all enjoy them.

                      Aapke hasin rukh pe aaj naya nur hai, mera dil machal gaya to mera kya kusur hai:  Baharen Phir Bhi Aayengi (1966)
                      Singer: Mohammed Rafi, Lyrics: Anjaan, Music Director: O.P. Nayyar

                      Seene me jalan:  Movie Gaman (1978)
                      Singer: Suresh Wadkar, lyrics: Shahryar, Music Director: Jaidev.

                      In aankhon ki masti ke:  Movie: Umrao Jaan (1981),
                      Singer: Asha Bhosale, Lricist: Nida Fazli, Music Director: Khayyam.

                      Hothon se chulo tum: Movie: Prem Geet (1981),
                      Singer Jagjit Singh, Lyrics: Indeever, Music Director: Jagjit Singh

                      Kabhie kisi ko muqamal jahan: Movie: Ahista Ahista (1981),
                      Singer: Bhupinder Singh, Lyricist: Nida Fazli, Music Director Khayyam 

                      Jhuki jhuki si nazar Movie Arth (1982),
                      Singer: Jagjit Singh, Lyrics: Kaifi Azmi, Music Director: Jagjit Singh

                      Tumko dekha to: Movie Sath Sath (1982), Singer: Jagjit & Chitra Singh Lyricist: Javed Akhtar, Music Director: Kuldeep Singh

                      Chup ke chup ke raat din Movie Nikah (1982) Singer Ghulam Ali,
                      Lyrics: Hasrat Mohani, Music Director: Ghulam Ali

                      Kisi nazar ko tera intezar Movie: Aaitabar (1985), Singers: Asha Bhosale, Bhupinder Singh, Lyricist: Hasrat Jaipuri, Music Director: Bappi Lahiri  

                      Hoshwalon ko khabar kya: Movie Sarfarosh (1999) Singer Jagjit Singh, Lyricist: Nida Fazli, Music Director: Jatin-Lalit     

                      Tags: GhazalHafizJagjit Singh.MaqtaMeterRumiSufismTakhallus
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                      Dr Vidya Hattangadi

                      Dr Vidya Hattangadi

                      Dr. Vidya Hattangadi is an accomplished academician, researcher, and thought leader with over four decades of combined experience 20 years in managerial roles in industry and 24 years in management education. She holds a PhD in Marketing Management from Savitribai Phule Pune University and a D.Litt. from the University of Mumbai for her post-doctoral published work. She is a prolific writer and blogger, Dr. Hattangadi runs the widely read blog www.drvidyahattangadi.com, which enjoys strong organic traffic and engages readers across a broad spectrum of subjects, including management, leadership, psychology, social trends, music, current affairs, and politics and psychology. Her blog is 12 years old. Her experience of combining knowledge of industry work with an academic background creates a powerful, "pracademic" profile that bridges the gap between theoretical knowledge and practical application. This hybrid approach has made her a powerful Professor in the classrooms and she has produced graduates who are not just knowledgeable, but industry-ready. She worked for Maratha Mandir’s Babasaheb Gawde Institute of Management Studies as Director, Research Head and Professor. She has written a fortnightly column for The Financial Express from 2017 to 2021 and has contributed extensively to leading publications such as The Hindu, Free Press Journal, and The Economic Times. Her articles are known for their analytical depth, clarity, and relevance to contemporary issues. Dr. Hattangadi has successfully guided 35 PhD scholars in Management Studies across institutions such as the University of Mumbai, SNDT Women’s University, and Yashwantrao Chavan Maharashtra Open University (YCMOU) and Guglielmo Unimarconi Italian University. Currently, she is working on her YouTube channel "Vidya's Vidya" mentoring doctoral researchers in the areas of Finance, Strategic Management, Organizational Behaviour, Human Resource Management, and Marketing Management. She is an accomplished author, she has written books on Strategic Management, Buyer Behaviour, International Business and Entrepreneurship Management, Faith Economy, contributed chapters to four edited volumes of books, and published over 350 research papers in national and international journals. Her scholarly work has strong visibility and impact, reflected in her robust presence on Google Scholar, Research Gate, Vidwan etc. Her research in all fields of management studies is truly ground-breaking. The rigor and depth of her knowledge have set a new standard in our field of management studies.

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