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Dr. Vidya Hattangadi
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              What is Asset Specificity?

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                      The Story Behind the song “Khoya Khoya Chand” from Film Kala Bazar

                      The Story Behind the song “Khoya Khoya Chand” from Film Kala Bazar

                      Arrival of my new book on Faith Economy co-authored by Dr. Shilpa Shinde

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                      The story behind the Swedish word Lagom which means Just Enough

                      Lasting friendship between R.K.Narayan and Graham Green that shaped the famous film novel ‘The Guide’

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                      Mumbai’s Historic Single Cinema Screen Maintains Brand Loyalty of Marathi Cinema Viewers 

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                      Unforgettable cabaret songs

                      Dr Vidya Hattangadi by Dr Vidya Hattangadi
                      September 26, 2022
                      in Current Affairs, News
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                      Helen, Aruna Irani, Bindu, Padma Khanna, Jayashri.T, Prema Narayan and Asha Sachdev are few actresses who have danced to some of the most sizzling cabaret songs in Bollywood. Cabarets became most famous in 60s and 70s. These heroines and even some of the lead heroines have grooved on some of the most famous song numbers.  The ladies lent a level of artfulness and sensuality and made the cabaret songs very famous.

                      Cabaret is a form of theatrical entertainment which features music, song, dance, recitation and even drama. The form of the cabaret depends on the venue; usually a pub, a restaurant, night club, at times even on stage performance. The audience is often dining or drinking; they do not typically dance but usually sits at tables. Performances are usually introduced by a master of ceremonies. The cabaret is accompanied by a band and the numbers are very and catchy and haunting because of their stunning rhythm. The typical cabarets styles are striptease, jazz sung by solo or duo vocalists with a pianist. The venue is usually romantically set.

                      The cabaret numbers can be characterized as excitingly paced, youthful exuberance and upbeat rhythms. The cabaret songs are composed with wide range of influences from several genres. O.P. Nayyar and R.D.Burman gave most of the cabaret songs to Hindi film industry followed by Shankar-Jaikishan and Laxmikant-Pyarelal. Cabaret songs tunes were often lifted, either openly or partially, from Western compositions. These songs were influenced by Western, Latin, Oriental and Arabic music.

                      Asha Bhosale’s smooth, velvet vocals are a milestone in the evolution of some of the best cabaret songs in Hindi films. She sang some solos with great zest and sometimes she was accompanied by the incomparable Mohammad Rafi and Kishore Kumar. Geeta Dutt sang few cabaret songs which are energetic with great music to which even today’s generation take to dance floor. Lata Mangeshkar has few numbers to her credit, though she liked singing songs of other genre. Lata symbolizes the serious, pristine, and classic flavours of Indian music while Asha and Geeta represent the western, naughty, and seducing flavours. How can we forget Rafi saab and Kishore Kumar? Both of these versatile singers could portray all of these flavours and much more.

                      Few of my favourite cabaret songs are listed below:

                      Jaata Kahan Hai Deewane…

                      Movie: C.I.D (1956) Music Director: O.P.Nayyar, Singer: Geeta Dutt

                      Aaiye Meheraban…

                      Movie: Howrah Beidge (1958) Singer: Asha Bhosale Music Director: O.P.Nayyar

                      Tumko piya, dil diya..

                      Movie: Shikari (1963). Music Director: G.S.Kohli, Singers: Lata Mangeshkar & Usha Mangeshkar

                      Huzurewalla jo ho izazat…

                      Movie: Yeh Raat Phir Na Aayegi (1966) Music Director: O P Nayyar Singers: Asha Bhosle & Minoo Purushottam

                      Kalrle pyar karle ke din hai ….

                      Movie: Talash (1969) Music Director: S.D.Burman Singer: Asha Bhosale

                      Aa janeja….

                      Movie: Intequam (1969), Music Director: Laxmikant-Pyarelal Singer: Lata Mangeshkar

                      Tune, tune oh sanam….

                      Movie: Humjoli (1970) Music Director: Laxmikant Pyarelala, Singers: Lata Mangeshkar & Mohammad Rafi

                      Watch this space next week for few more cabaret songs!

                      Tags: ArabicBollywoodCabaret songsjazz.Music genreSensual songsTheatrical Entertainment
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                      Dr Vidya Hattangadi

                      Dr Vidya Hattangadi

                      Dr. Vidya Hattangadi is an accomplished academician, researcher, and thought leader with over four decades of combined experience 20 years in managerial roles in industry and 24 years in management education. She holds a PhD in Marketing Management from Savitribai Phule Pune University and a D.Litt. from the University of Mumbai for her post-doctoral published work. She is a prolific writer and blogger, Dr. Hattangadi runs the widely read blog www.drvidyahattangadi.com, which enjoys strong organic traffic and engages readers across a broad spectrum of subjects, including management, leadership, psychology, social trends, music, current affairs, and politics and psychology. Her blog is 12 years old. Her experience of combining knowledge of industry work with an academic background creates a powerful, "pracademic" profile that bridges the gap between theoretical knowledge and practical application. This hybrid approach has made her a powerful Professor in the classrooms and she has produced graduates who are not just knowledgeable, but industry-ready. She worked for Maratha Mandir’s Babasaheb Gawde Institute of Management Studies as Director, Research Head and Professor. She has written a fortnightly column for The Financial Express from 2017 to 2021 and has contributed extensively to leading publications such as The Hindu, Free Press Journal, and The Economic Times. Her articles are known for their analytical depth, clarity, and relevance to contemporary issues. Dr. Hattangadi has successfully guided 35 PhD scholars in Management Studies across institutions such as the University of Mumbai, SNDT Women’s University, and Yashwantrao Chavan Maharashtra Open University (YCMOU) and Guglielmo Unimarconi Italian University. Currently, she is working on her YouTube channel "Vidya's Vidya" mentoring doctoral researchers in the areas of Finance, Strategic Management, Organizational Behaviour, Human Resource Management, and Marketing Management. She is an accomplished author, she has written books on Strategic Management, Buyer Behaviour, International Business and Entrepreneurship Management, Faith Economy, contributed chapters to four edited volumes of books, and published over 350 research papers in national and international journals. Her scholarly work has strong visibility and impact, reflected in her robust presence on Google Scholar, Research Gate, Vidwan etc. Her research in all fields of management studies is truly ground-breaking. The rigor and depth of her knowledge have set a new standard in our field of management studies.

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