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                      The versatile lady music composer Usha Khanna

                      Dr Vidya Hattangadi by Dr Vidya Hattangadi
                      August 7, 2023
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                      The versatile lady music composer Usha Khanna

                      Music composers are creative people who need inspiration to compose music. Often, the composers tap their inner thoughts, feelings, experiences, memories for creating tunes for songs. They follow the trends in the music world.

                      As a music lover, I admire and honour the most versatile and lady of few words – music composer of Bollywood Usha Khanna. She is the third lady music composer to enter the Indian film industry after Saraswati Devi and Jaddanbai, it’s worth noting that Jaddanbai was daughter of Motilal Nehru and mother of actress Nargis.

                      Usha Khanna became famous in her music career in Bollywood with Nasir Hussain’s romantic comedy ‘Dil Deke Dekho’ (1959) starring Asha Parekh and Shammi Kapoor. Her father Manohar Khanna used to work for the Maharaja of Gwalior. He was fond of music, and he wrote poetry. Much later he shifted his base to Bombay, and he started working in the film company of Jaddan bai as a writer. She appreciated his poetry after listening to him in a kavi sammelan. Indeewar, the famous lyricist was a friend of Usha Khanna’s father.

                      Young Usha used to sing and write mukhdas (first few lines). Once her father told her to sing because she used to sing well. Her father told her that he would take her to the famous producer – director of those days Sashadhar Mukherjee. After listening to Usha, Mukherjee saab told her that she is not a good singer as Lata, Asha. But Indeewar informed Mukherjee that she composed the songs that she sang. Mukherjee couldn’t believe this. Mukherjee gave her a mukhda and asked her to compose a song. When he heard the song, he said that she should become a music director instead of a singer.

                      She is known for her work in movies like Nishan (1965), Khoj (1971), Hawas (1974), Saajan Bina Suhagan (1978), Bin Phere Hum Tere (1979), Souten (1983), and Paisa Yeh Paisa (1985). During her career as music composer, she gave opportunities to little-known singers who went on to become notable singers like Anupama Deshpande, Pankaj Udhas, Mohammed Aziz, and Sonu Nigam.

                      Usha is known to composers and write original musical scores in various genres for vocal and instrumental performances. She strongly believes that the purpose of the music is generally to convey an appropriate tone or mood for films.

                      It interesting to note that in her debutant movie 1959 superhit, Dil Deke Dekho, which included a couple of songs inspired from popular Western tunes. The songs carried the style of OP Nayyar, who was extremely popular those days. Shashadhar Mukherjee wanted songs in particular style. When the songs became a hit, people didn’t give her the credit easily. Many people said that the songs might have been composed by O.P.Nayyar because Usha was just a teenager then. The music world was male dominated then. She was the only female composer. Usha had to struggle the odds to prove herself. She was usually asked to give music for ‘C’ grade films. But she kept on working. She has spent almost six decades in the industry.  

                      Usha credits Mohammed Rafi’s voice for her success as music director.

                      She worked with Sawankumar Tak in his movies; she was married to him briefly. Though they separated, both maintained their friendship till Tak was alive.

                      I give here below some of my favourite songs composed by the versatile Usha Khanna. In the last two songs she has lent her voice by humming in them. Humming is a sound made by producing a wordless tone with the mouth closed, forcing the sound to emerge from the nose. Her humming has made those two songs more precious.

                      Hum Akele to kabhi baag me jaya na karo – Film: Aao Pyar Kare (1964) Mohd Rafi & Lata Mangeshkar, Lyricist: Rajindra Krishan
                      Tum Akele to kabhi baag me jaya na karo – Film: Aao Pyar Kare (1964) Mohd Rafi & Lata Mangeshkar, Lyricist: Rajindra Krishan
                      Maine Rakha hai muhabbat – Film Shabnam (1964) Mohd Rafi, Lyricist: Javed Anwar
                      Yeh teri sadagi, yeh tera bankpan – Film Shabnam (1966) Mohd Rafi Lyricist: Javed Anwar
                      Chand ko kya malum, chahta hai Film: Lala Bangla (1966) Mukesh, Lyricist: Gulshan Bawra  
                      Pal bhar ke liye koi hume Film Jhony Mera Naam (1970) Kishore Kumar & Usha Khanna Music Director – Kalyanji – Anandji, Lyricist – Indeevar   
                      Zuke jo tere naina Film: Kangan (1971) Mahendra Kapoor & Usha Khanna, Music Director Kalyanji – Anandji, Lyricist: Anjaan 
                      Tags: composer-lyricist-singer.Dil Deke DekhoDr. Vidya HattangadiHummingIndeewarManohar KhannaMusic ComposerSawan Kumar TakUsha Khanna
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                      Dr Vidya Hattangadi

                      Dr Vidya Hattangadi

                      Dr. Vidya Hattangadi is an accomplished academician, researcher, and thought leader with over four decades of combined experience 20 years in managerial roles in industry and 24 years in management education. She holds a PhD in Marketing Management from Savitribai Phule Pune University and a D.Litt. from the University of Mumbai for her post-doctoral published work. She is a prolific writer and blogger, Dr. Hattangadi runs the widely read blog www.drvidyahattangadi.com, which enjoys strong organic traffic and engages readers across a broad spectrum of subjects, including management, leadership, psychology, social trends, music, current affairs, and politics and psychology. Her blog is 12 years old. Her experience of combining knowledge of industry work with an academic background creates a powerful, "pracademic" profile that bridges the gap between theoretical knowledge and practical application. This hybrid approach has made her a powerful Professor in the classrooms and she has produced graduates who are not just knowledgeable, but industry-ready. She worked for Maratha Mandir’s Babasaheb Gawde Institute of Management Studies as Director, Research Head and Professor. She has written a fortnightly column for The Financial Express from 2017 to 2021 and has contributed extensively to leading publications such as The Hindu, Free Press Journal, and The Economic Times. Her articles are known for their analytical depth, clarity, and relevance to contemporary issues. Dr. Hattangadi has successfully guided 35 PhD scholars in Management Studies across institutions such as the University of Mumbai, SNDT Women’s University, and Yashwantrao Chavan Maharashtra Open University (YCMOU) and Guglielmo Unimarconi Italian University. Currently, she is working on her YouTube channel "Vidya's Vidya" mentoring doctoral researchers in the areas of Finance, Strategic Management, Organizational Behaviour, Human Resource Management, and Marketing Management. She is an accomplished author, she has written books on Strategic Management, Buyer Behaviour, International Business and Entrepreneurship Management, Faith Economy, contributed chapters to four edited volumes of books, and published over 350 research papers in national and international journals. Her scholarly work has strong visibility and impact, reflected in her robust presence on Google Scholar, Research Gate, Vidwan etc. Her research in all fields of management studies is truly ground-breaking. The rigor and depth of her knowledge have set a new standard in our field of management studies.

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