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                      The actor that personified life of Saint Tukaram

                      Dr Vidya Hattangadi by Dr Vidya Hattangadi
                      April 17, 2023
                      in GENERAL, Movies & Music
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                      Vishnupant Pagnis as Saint Tukaram

                      Sant Tukaram (Sant Tukārām), also known as Saint Tukaram, is a 1936 Marathi film, produced by Prabhat Film Company, based on the life of Tukaram (1608–50), a prominent saint and spiritual poet of the Bhakti Movement in Maharashtra, India. The film was directed by Vishnupant Govind Damle and Sheikh Fattelal and it featured Vishnupant Pagnis in the lead role of the saint Tukaram which was of a biopic genre.  

                      Saint Tukaram is most known for his Marathi Abangas (dohas), which are a rich inheritance of Gatha – devotional poetry, and he was crucial for laying the groundwork for Maratha nationalism. He emphasized community-based worship through spiritual melodies known as Kirtans. During the era of Tukaram in the 16th century caste played havoc in society. Saint Tukaram trained the masses through his Abhangas that Vedas and Shastras say that for offering service to God, caste does not matter. Caste is inconsequential.

                      Shivaji Maharaj – the Great Maratha Warrior looked up to Saint Tukaram as one of his spiritual Gurus; Shivaji Maharaj offered him diamonds and opals, but they were refused by Tukaram because he felt they would become an impediment to his devotion. Tukaram’s writings had widespread influence on Marathi language, culture, literature, and spirituality. Tukaram was a devotee of Vithoba (Vitthala), an avatar of God Vishnu also called Krishna.

                      We often say that an actor lives a role till he shoots for the movie. An actor gets into the skin of the protagonist. After the movie, actors come out of the role and move on to another role. But, Vishnupant Pagnis who played the role of Tukaram couldn’t pull out himself from the role of Tukaram. He used to be dressed as Tukaram. The actor had to sing Abhangas of Tukaram because those days the actors had to sing also for the role they played. Vishnupant Pagnis was a good singer too. Therefore, Abhangas sung by him in the movie became popular among the audience.

                      This movie was technically the best movie of that time. To give an example, in the last scene, Tukaram’s corporeal visit to Vaikuntha (abode of Lord Vishnu), the Pushpak Vimana (aeroplane) comes from the sky to carry Saint Tukaram. The design of that plane, the flight of that plane spreading its wings towards Vaikuntha, all these minute details were well shown in the movie. Seeing the Pushpak vimana, mannerisms and looks and Tukaram’s dialect were very shot – they almost looked real. Viewers would cry in the cinema hall. Also, in the scene of Tukaram’s meeting with Chatrapati Shivaji, the viewers would get stimulated and stunned.

                      Here comes the dilemma: Vishnupant couldn’t come out the role, he got so rooted in the role that he started living the life of Tukaram. He truly was a soulful actor. He created a different world out of it. The movie ‘Sant Tukaram’ was showered with praise. But Vishnupant Paganis, the actor who made this movie reach the peak of popularity, was nowhere in all this. The movie also made a lot of money at the box office. As per the practice of those days, the producers went to meet Vishnupant Paganis to pay his honorarium. Due to his role as Saint Tukaram, Vishnupant was respectfully called ‘Maharaj’ by all. “Maharaj, please take your remuneration” said the producer, placing the wallet in front of him. Vishnupant refused to accept the honorarium with a calm smile. The makers were confused. They coaxed him to accept the honorarium stating that it was a handsome amount. But Vishnupant Pagnis said “The role of Tukaram Maharaj, who lived a selfless life all his life, made me immortal, how can I accept remuneration for that role? This role has given me a lot beyond the remuneration. So I will not accept the honorarium.” The producers couldn’t say anything further; they respected the sentiments of Vishnupant and left.

                      The original photograph of Saint Tukaram Maharaj is not available anywhere today. But the photo of the role of Tukaram played by Vishnupant Paganis was and is worshiped with devotion in every household. Vishnupant continued till the end in the guise of Saint Tukaram, the role that people showered love on. It was as if the personality of Saint Tukaram was absorbed in him.

                      Vishnupant Pagnis had also acted in movies like ‘Sant Tulsidas’, ‘Narsi Bhagat’, ‘Mahatma Vidur’ etc. He had also sung the song ‘Vande Mataram’.  But, after Sant Tukaram, he put a full stop to his career. He died in 1943.

                      Tags: AbhangasChatrapati ShivajiDr. Vidya HattangadiPrabhat Film CompanySant TukaramSheikh FattelalVaikunthaVishnupant DamleVishnupant Pagnis
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                      Dr Vidya Hattangadi

                      Dr Vidya Hattangadi

                      Dr. Vidya Hattangadi is an accomplished academician, researcher, and thought leader with over four decades of combined experience 20 years in managerial roles in industry and 24 years in management education. She holds a PhD in Marketing Management from Savitribai Phule Pune University and a D.Litt. from the University of Mumbai for her post-doctoral published work. She is a prolific writer and blogger, Dr. Hattangadi runs the widely read blog www.drvidyahattangadi.com, which enjoys strong organic traffic and engages readers across a broad spectrum of subjects, including management, leadership, psychology, social trends, music, current affairs, and politics and psychology. Her blog is 12 years old. Her experience of combining knowledge of industry work with an academic background creates a powerful, "pracademic" profile that bridges the gap between theoretical knowledge and practical application. This hybrid approach has made her a powerful Professor in the classrooms and she has produced graduates who are not just knowledgeable, but industry-ready. She worked for Maratha Mandir’s Babasaheb Gawde Institute of Management Studies as Director, Research Head and Professor. She has written a fortnightly column for The Financial Express from 2017 to 2021 and has contributed extensively to leading publications such as The Hindu, Free Press Journal, and The Economic Times. Her articles are known for their analytical depth, clarity, and relevance to contemporary issues. Dr. Hattangadi has successfully guided 35 PhD scholars in Management Studies across institutions such as the University of Mumbai, SNDT Women’s University, and Yashwantrao Chavan Maharashtra Open University (YCMOU) and Guglielmo Unimarconi Italian University. Currently, she is working on her YouTube channel "Vidya's Vidya" mentoring doctoral researchers in the areas of Finance, Strategic Management, Organizational Behaviour, Human Resource Management, and Marketing Management. She is an accomplished author, she has written books on Strategic Management, Buyer Behaviour, International Business and Entrepreneurship Management, Faith Economy, contributed chapters to four edited volumes of books, and published over 350 research papers in national and international journals. Her scholarly work has strong visibility and impact, reflected in her robust presence on Google Scholar, Research Gate, Vidwan etc. Her research in all fields of management studies is truly ground-breaking. The rigor and depth of her knowledge have set a new standard in our field of management studies.

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