The most treasured Qawwalis of Bollywood (Part Two)

Dr Vidya Hattangadi — Thu, 31 May 2018 01:07:20 +0000

While ancient Qawwali music was typically performed in Sufi shrines, but in today’s modern Qawwali music, the dues will go to the late Pakistani singer Nusrat Fateh Ali Khan as the most famous Qawwali artist in the modern era. Also Pakistan’s Sabri Brothers, Bahauddin Qutbuddin, and Aziz Mian, Abida Parveen, the great Indian music composer A.R.Rehman gave the genre worldwide exposure by recording Qawwalis and performing them live around the world.

A lot has been gained and a lot has been lost in the mainstream qawwali. The over exposure of Internet and access to poring information has resulted in lifting this rather mysterious music genre from the private, secluded sphere of the shrine to the public open global marketplace. Qawwali has today become commercialised. The mainstream qawwali today is universally accessible through digital media.

We list here below the best qawwalis:

Huzurewala Jo Hogi Izazat

Yeh Raat Phir Na Ayegi -1965, Singers: Asha Bhosale & Minoo Purushottam, Music Director: O.P.Nayyar

Yeh Mana Meri Jaan Mohabbat Saza Hai – Haste Zakhm , 1973 Singer: Mohammed Rafi, Music Director: Madan Mohan

Raaz ki baat Kehn Doon Toh – Film Dharma 1975, Mohammed Rafi & Asha Bhosale , Music Director: Kalyanji Anandji

Jhoom Barabar Jhoom Sharabi – Film: Rifles 1974, Singer: Aziz Nazan, Music Director: Kalyanji Ananadji

Yaari Hai Iman Mera Yaar Meri Zindagi– Zanjeer 1973, Singer: Manna Dey, Music Director: Kalyanji Anandji

Parda hai, parda hai – Film: Amar Akbar Anthony 1977, Singer: Mohammed Rafi, Music Director: Laxmikant Pyarelal

Hai agar dushman zamana – Film: Hum Kisi Se Kum Nahin 1977 Singers: Mohammed Rafi & Asha Bhosle Music, R.D.Burman

Qurbani, qurbani, qurbani Allah ko pyari hai – Film: Qurbani 1980. Singers: Anwar, Aziz Nazan Sholapuri & Kishore Kumar, Music Director: Kalyanji Ananadji

Listen to the most treasured Qawwalis of Bollywood

Dr Vidya Hattangadi — Thu, 17 May 2018 01:05:27 +0000

Qawwali is a form of Sufi devotional music in the Punjab and Sindh regions of Pakistan. It is part of a musical tradition that draws back to more than 700 years. The musical genre qawwali gained prominence in Bollywood initially through 1950s, especially in Muslim social dramas and grew so much in popularity that its influences became main-stream. Sufi saint Aamir Khusro Dehlavi is credited for introducing the tradition of singing quawwalis. It is a religious experience for both listener and performer: as the listener hopes for a spiritual experience of intensity and nearness to go beyond his or her conscious striving. However, in this post I have presented witty, catchy, and romantic qawwalis. The qawwali performer presents treasures of poetries which express and evoke a magical knowledge for the audience. The quawwalis are mix of folk, Hindustani classical and Sufi style of music.

Why people go to theatre to watch qawwalis? Sometimes viewers just go to watch the qawwali numbers and come out of the theatre. With just few instruments, few singers or a single singer qawwali creates a complex stream of synchronised hand-clapping; a qawwali group can produce some of the most ecstatic sounds, which memorizes the crowd. The rhythm is full of exuberance of vocals, steadily repeated, mantra-like chanting pattern. There is spontaneity in the qawwali. One needs to have an ear to listen and understand this genre of music.

Qawwalis give meaningful rendition to the performance which is full of emotions. Its melody also has a great influence on the emotional state of listeners. The qawwali performance usually begins after the evening and lasts all night until the wee hours of morning. The word qawwali means “words” worthy of remembrance, and as such the qawwali traditionally has a devotional aspect in praise of Almighty. We usually see the dholak, table, sarangi, sitar, shehnai and jaltarang accompanying the qawwalis. Although a qaawwali was traditionally sung by men only, as the society progressed, both men and women started enjoying and performing quawwali.

Unlike in Hindustani classical music, while taal and raagaa usage is the same, the quawwali places a greater emphasis on the poetic text and the delivery of its message than on musical aspect. Bollywood has changed the style, presentation and libretto of qawwalis; it has been manifested in many varieties. For instance in the late 50s, 60s, 70s the qawwali became synonymous with a musical debate, almost a verbal battle.

Here’s our list of Bollywood’s evergreen and greatest qawwalis:

Humen to loot liya milke hoosnwalone

Al Hilal 1958; Singer: Ismail Azad, Music Director: Bulo C. Rani

Na toh carvan ki talash hai

Barsat ki ek raat 1960, Singers: Asha Bhosale, Manna Dey, Sudha Malhotra, Shiv Dayal. Music Director: Roshan

Sharma Ke Yeh kyo pardanashi

Chaudhvin Ka Chand 1960: singers: Shamshad Begum & Asha Bhosale, Music Director: Ravi

Teri mehfil mein quismat ajmane

Mughal-e-Azam 1960: Singers: Shmsahd Begum & Lata Mangeshkar, Music Director: Naushad

Nigahen Milane Ko Jee Chahta Hai

Dil Hi To Hai (1963): Asha Bhosale, Music Director: Roshan

Laga Chunari Me Daag

Dil hi toh hai 1963 , Singer: Manna Dey, Music Director: Roshan

Jaan-e-man ek nazar dekh le

Mere Mehboob 1963, Singers: Lata Mangeshkar& Asha Bhosle, Music Director: Naushad

Ae Meri Zoharajabeen, Tuzhe Maloom Nahin
Film Waqt 1965, Singer: Manna Dey, Music Director: Ravi

Qawwali – Dr. Vidya Hattangadi